Haarniskan yläosa tummempi tausta

Carl Bäck’s armour

Lieutenant Colonel Carl Bäck was a member of a German noble family that had moved to Finland from the Rhine region in the 16th century. He was born in Nuutajärvi in 1609 and died there in 1663, having had a long military career.

Carl Bäck’s armour is one of the six suits of armour in the National Museum of Finland, which together form a significant selection. All of them date from 1550–1650 and were manufactured in Northern Europe, apparently in present-day Germany, Flanders or Netherlands.

All of the suits of armour in the National Museum are related to the history of Finland and the name of their last owner is known. This is rare in Europe; usually, information about the owner of the armour and his life has only been preserved in the case of royalty and other nobles.

The National Museum’s suits of armour have their own unbroken history. For example, they have mostly not been supplemented with parts that did not originally belong to them or parts dating from different periods. They were placed in burial churches after the owner’s death, and parishes donated them to the museum’s collections in the late 19th century. Thanks to this, the suits of armour in the National Museum are almost complete and in their original late 16th century and 17th century appearance.

Judging by its style, Carl Bäck’s armour was made sometime between the 1600s and 1650s, so it is about 400 years old. In terms of its structure and form, it is a typical suit of heavy cavalry armour, a cuirassier’s armour. Such suits were intended to be worn on the battlefield and only on horseback. They were forged from iron and steel and assembled together with rivets and leather straps. Weapons used with the armour usually included two pistols and a sword, but sometimes also a third firearm with a longer barrel.

Very little is known about the manufacture of this suit of armour and the history of its ownership. For example, it is not known whether it was made to order for Carl Bäck or if it had previous owners. It could have been bought, received or gained as spoils of war. If the suit of armour was made for Carl Bäck, it was made to fit his measurements and body shape. In that case, Bäck’s height can be estimated to have been about 184 cm, his shoulder width 56 cm at most and his waistline less than 97 cm. The maker of the armour or the exact location where it was made are not known. No markings have been found on the armour, such as the stamps of an armour maker or guild, armoury or city. No stamps were found in the X-ray examination carried out in connection with the conservation either. However, it is possible that markings are hidden by the layer of black paint, which is thick in places.

Carl Bäck’s armour ties the region of Finland to 17th century Europe. The suit of armour could also have been worn by a cavalry officer in the present-day area of Italy or England. Indeed, 17th century suits of armour were pan-European, proto-industrial and often made in a few major European centres of armour production.

During his military career, Carl Bäck participated in the Thirty Years’ War. In addition, he fought in the Polish-Swedish Wars, also participating in the Battle of Warsaw in 1656. Bäck was seriously wounded in a battle against the Poles in 1658. He sustained a gunshot wound to his arm and apparently a lance thrust above his heart. The bullets could not be removed from his body, and he died partly due to his wounds in December 1663. Carl Bäck was buried in the old wooden church of Urjala in 1664. According to the custom of the time, his suit of armour and coat of arms were placed in the church at his funeral. In 1872, the parish of Urjala donated Carl Bäck’s armour to the State Historical Museum, which later became the National Museum of Finland.

Haarniska edestä
Carl Bäck’s suit of armour consists of 10 parts, which were intended to be detached from each other when putting on or taking off the suit. When putting on the suit of armour, the different parts were attached to each other using hooks, belts and buckles. Thanks to this structure, the suit was flexible and the person wearing it was able to move. The total weight of the suit of armour is almost 28 kg. The weight is increased mainly by the chest armour, which was made to protect against firearm bullets.
Haarniska viistosti sivusta 2
Each of the 10 parts of Carl Bäck’s suit of armour consists of one or more metal plates. The total number of plates in the armour is 112. They are joined together by brass-headed iron rivets and leather straps.
Sahalaitakuvio
Carl Bäck’s suit of armour has a small and almost indiscernible, recurring decorative motif. With the exception of the helmet and gloves, all the parts are bordered by wrigglework. About 2.5 mm in width, the zigzag pattern runs around the edges in a single or double band. The decoration is difficult to notice because it is very shallow and the black paint covers it almost everywhere.
Haarniska viistosti takaa 2
As was customary in the 17th century, Carl Bäck’s suit of armour is painted in black. The paint protects the metal from rust and is easier to maintain than a clean and polished clear surface. Underneath the black paint on Bäck’s armour, the steel appears to be dark blue at least in places. The armour could have been heat-treated completely blue when it was new. On its unpainted surface, the wrigglework appeared bright against the dark blue. A suit of armour like this was impressive and stood out from painted armour.
Haarniska sivusta
Carl Bäck’s helmet differs from the rest of the armour. The helmet also has no wrigglework. It appears to be a little later in design than the rest of the armour. Lighter helmets of this type were worn by light cavalry soldiers and continued to be worn until the end of the 17th century. Bäck’s suit of armour should include a heavier helmet that is completely closed at the front and protects the whole head. On the other hand, according to European contemporary pictures, officers preferred lightweight, fashionable helmets, even though they otherwise wore a full suit of heavy cavalry armour like the soldiers. An officer leading the troops in an open helmet could see the battlefield better and could shout commands more clearly than if he had been wearing a helmet closed at the front.
Haarniska takaa